There's nowt like a good classic xmas ballet for a happy night out, thank you Tchaikovsky, but there's nowt like a new ballet to make you drop your sookie sweets in astonishment (or outrage). There can be a thin line between circus sideshow and Culture, but I'm not about to embark on a psycho-social review of the diversification of modern culture and media manipulation at 5am, not without chocolate chip cookies. I will simply draw your attention to several mainstream examples and let you argue amongst yourselves.
In the 1980s Maguy Marin's 'Groosland' was commissioned for fat dancers to play with the concepts of bodily distortions, to a score of Bach Brandenberg concertos. Stunning. The corps of the Dutch National wore fat suits: cue raging debate akin to that for blacking-up. The mobile mountains of obese Russian ballerinas 'The Big Ballet' promised actual ballet body-image subversion but turned out to be more unskilled circus sideshow (unlike the technical prowess of the Trocks in frocks, for example) so I move on to
Mathew Bourne's now classic-in-its-own-right 'Swan Lake'. Unfortunately there isn't a Scottish date, but they'll be in Newcastle from Tuesday16 March to Saturday 27 March. Some of the company's newest swans were only cygnets when this ballet premiered in 1995, I can hardly believe it was so long ago.
(Theatre Royal, Newcastle, Box Office: 08448 11 21 21 )
http://www.swanlaketour.com/And so to the point, the reason I started to write tonight.
Beltane approaches with a passionate
Rite of Spring, so its a good time to look at the updated
Stravinsky of 2010 - on a path that takes us straight back to my earlier post about BDSM in art galleries for those who scoffed. Dissonance, rythmic asymmetry and polyrythm meets subculture and community:
http://www.youtube.com/watch?v=nXATaA4snm4http://www.youtube.com/watch?v=8Iz2_W_dgckhttp://www.youtube.com/watch?v=5WhunNo6mxQBehind the scenes with the
Ballet Boyz:
http://www.bbc.co.uk/iplayer/episode/b00pk9kz/Ballet_Boyz_The_Rite_of_Spring/This banquet of blackness made me wonder what the Scottish Ballet are up to this year. I'm not sure if the current funding climate allows for much of a detour from the en pointe path, will check, brb.
http://www.scottishballet.co.uk/Good, there are some new items alongside my old favourites. In this case a re-interpretation of Shakespeare set in the 1930s but retaining the glorious Prokofiev score. If you book tickets for the 30th April, be aware that you'll be a few hundred metres from Calton Hill's own Rite of Spring - and some forbidden love.
Romeo and JulietScottish BalletFestival Theatre
Edinburgh
(fully accessible)
28 April - 1 May
Tickets from £9.50 (matinee)
Box Office 0131 529 6000
http://www.youtube.com/watch?v=xRCKWWmGBbI